WHEY AYE C/DC - THE NORTH EAST TRIBUTE TO AC/DC AND BRIAN JOHNSON

 

 

DAZ'S DIARY

 

 

 

 

 

 

 

Page 1

 

The Blacksmith's Arms, Saturday 29th September 2007

 

6.30pm
I arrive at the Blacksmith's Arms and nearly fall over with shock when it appears that most of the band is already there. This is unheard of in the Whey Aye C/DC camp as usually, at least two of us turn up late citing various excuses for our crappy time keeping. E.g.

  1. ‘Getting lost’ (which is surprising when it’s a venue we’ve played at least three times and have had no previous problems finding.) Although me and Neil tend to get lost actually going home from gigs rather than getting to them.
  2. Stopped to get something to eat and lost track of time. (Graham insists on filling up his willowy frame with at least one KFC bargain bucket and chicken zinger meal before every gig. Witnessing first hand the amount of food he eats, we're still unsure as to why he's still sporting the physique of a Cambodian Racing Snake.)

As Neil is usually the first to arrive, he’s been able to claim most of the stage with his percussion paraphernalia, while Chris is shuffling about in the background trying to find a spare place to put his 'wall of sound'. (ie. speaker cabs to you and me).

6.35pm
I ask the bar manager if there's anywhere I can leave my bag / clothes / towel / 12 cans of smuggled in Stella - and he tells me I can leave them in the back room behind the bar.

The backroom behind the bar also doubles as the cellar, kitchen and cleaners cupboard.

6.40pm
Dave - our pa bloke is trying in vain to wedge his lighting rig in between Neil’s oil-rig drum kit and the Berlin Wall of bass cabs that Chris has erected. It’s like watching a dog trying to get through a gap in a fence with a stick in it’s gob.

6.41pm
Dave asks Neil to ‘shove his drums across a bit’ so he can fit in his bass bins. Neil gives him a look like he's just waggled his cock in his face, ignores him, and starts polishing a cymbal.

6.41 30secs
Dave asks Neil again to ‘shove his drums across a bit’. Neil glowers at him again, and finally looks up from what he’s doing.

6.42pm
Dave asks Neil yet again to shift his drums over a bit. Neil tells him he can’t shift anything cos it’ll ‘knacker his on-stage soond’ and that he couldn’t help him anyway cos the shrapnel wound he sustained in ‘Nam is playing up.

6.43pm
Neil finally gives up trying to assemble his Piper-Alpha drumkit, and wanders off to try and blag some gaffa tape and a bag of Scampi Fries from behind the bar, so Dave takes the opportunity to try and shove Neil's drums half a foot to the right.

6.44pm
There’s an almighty clatter, as Neil's entire drumkit topples sideways and gets wedged between the wall and a pool table. Me and Dave frantically try to get it back into position before Neil notices. Dave points out that he may actually notice the six-inch tear in his bass drum skin, but we both agree to blame it on 'two big lads causing bother'.

6.45pm
Deano arrives and chucks a proper girlie strop when he sees that Neil has stacked all his drum cases around the base of his amp, leaving Deano about six square inches in which to stand / move / play. Deano takes a deep breath, counts to ten, then kicks Neil’s drum cases over to the other side of the stage.

6.46pm
While Deano is twiddling with his amp  – Neil moves them back.

6.47pm
Still chucking a hissy-fit, Deano shoves Neil’s drum cases to the side of the stage. Again.

6.48pm
Deano nearly breaks a toe trying to nudge a bag of cymbal stands across the stage with his foot. He turns purple and starts swearing even more.

6.49pm
Deano limps off to the bar, mumbling something about being the ‘f*cking invisible band member’. No one pays any attention. After all, he is invisible.

6.54pm
Deano comes back from the bar with some beer inside of him - looking slightly less miserable. Neil has tidied up his drum cases and stuck them in a nice neat pile. On top of the pool table.

Deano walks up to his amp, and trips over a microphone cable that hasn’t been taped down properly. .

7.00pm
Dave (PA bloke) goes to the back of the room and clears a table to put the mixing desk on.

7.01pm
Dave goes back to the table to find an extremely hard-looking biker couple sitting there.

7.02pm
Dave and me are trying to figure out how we are going to ask the hard-looking biker couple to shift, without getting thumped / stabbed / shot / burned on a cross.

7.05pm
Dave is given the job of asking them to move. Surprisingly they take it quite well and he returns unscathed. They probably succumbed to his charm and serial killer looks. Either that or he threatened to wrap them in an old carpet and bury them in the woods.

7.10pm
Neil decides to try and break the sound barrier by twatting the living hell out of his kit. He reckons it’s something all drummers have to do before a sound-check to ‘see if they need tuning’.

7.11pm
Dave is stood in front of the drums waving his arms like a demented air traffic controller and shouting something to Neil. Neil ignores him and carries on his world record attempt for the world’s longest drum solo.

7.12pm
Neil stops playing and everyone hears Deano shouting “Neeeeeiiiiilllllll maaaan, yer fookin’ drums are droonin’ oot the jukebox in the next pub maaaan!”

7.30pm
After lecturing Neil like a naughty schoolboy for 15 minutes about being professional and not making too much noise before a gig, Deano plugs in his guitar and starts fannying about with his amp.

7.30 + 30secs
The chords to Back In Black are ringing around the room, which is filled with a sound similar to Concorde taking off. The unexpected sonic blast catches everyone sitting in the bar by surprise, and people grab hold of their drinks to stop them from tipping over. Grown men run for cover, dogs howl, windows all around Gosforth are boarded up - while women clutch their terrified children to their bosoms. (Well not quite, but you get the general idea.). After a couple of minutes, Deano turns his guitar down, hangs it on the stand and mooches off into the bar, completely oblivious to chaos he’s caused and the people in the front row holding beer mats over their ears.

7.45pm
The room is getting seriously hot. The weather outside is freezing, but because we’ve had to close all the curtains to stop the light from coming in – it’s like trying to breathe through cotton wool. Chris asks Neil if he can wear a sleeveless vest on stage due to the heat. Neil turns him down flatly and insists he wears his ‘AC/DC 1970's style bargain bin t-shirt’ which the rest of us think makes him look like a liquorice all-sort.

7.48pm
Graham finally arrives clutching the remains of a Chicken Fillet Tower Meal, with extra fries and large coke. Apparently he was a

We decide to Soundcheck.
Graham suggests Hell Ain’t A Bad Place To Be.

7.48pm
I tell him I’d prefer to do Back In Black

7.48pm
Neil says he’d rather do Shoot To Thrill, or anything by Slipknot.

7.48pm
Dave suggests we get our fingers out cos the pub is starting to fill up.

7.48pm
Graham suggests Rocker. Neil points out that we don't actually play that one.

7.53pm
After soundchecking with Hell Ain’t A Bad Place To Be, we head to the bar to get a couple of beers.

8.00pm
I get introduced to Jeff - a bloke at the bar who apparently works with my brother. He's Australian so  I’m a bit wary at first as I don’t fancy spending the next hour talking about Kylie's arse and how many Koala Bears he bbq'd last summer, but he turns out to be a canny bloke. He’s got some relatives over from Australia so he decided to come and check the band out. He initially wanted to spend the evening visiting Durham Cathedral with his elderly Aunt, but remarkably my brother convinced him that the band were far more important than some ‘shitty old church’.

8.10pm
Neil has agreed to play a gig in Sydney, Australia for £200 plus beer money.

8.12pm
Graham comes out of the dressing room / kitchen complaining that the smell of chip fat will not be doing his cholesterol level any good. Chris is stood by the kitchen door sniffing his t-shirt and pulling a face. Deano is hobbling around the stage murmuring to himself and frowning at the various PA leads coiled up around his feet.

8.15pm
Despite having A2 sized posters plastered all over the venue, with WHEY AYE C/DC and AC/DC written on them in 6” high letters, a bloke comes up and asks if we play any Metallica. Graham chokes on his Chicken Zinger Meal and nearly falls off his chair.

8.20pm
The place is getting quite busy, and we’re about an hour away from going on stage. The smell of chips is getting stronger in the kitchen / dressing room and we’re all starting to get hungry. ”

8.21pm
We end up sharing one basket of chips between four of us. Neil refuses to eat any. No doubt  his arteries are starting to seize up just looking at them.

8.22pm
I walk over to the mixing desk to have a word with Dave about the sound mix. He's sitting there munching his way through a massive basket of fried chicken, complete with chips and various dips. Dave tells me he got them ‘for nowt, cos he's with the band’. The twat.

8.30pm
I go into the dressing room to hang up my onstage clothes. Graham is fussing about hanging up his school uniform and preparing himself for the gig. The dressing room smells like Deep Heat spray, domestos and stale batter.

8.35pm
Deano is looking a bit more relaxed. In fact, the half a dozen empty glasses on top of his amp and his glazed expression suggest that he’s very relaxed indeed.

8.40pm
A geet big hard looking biker called ‘Dirtyarse’ or something, tells Dave to shift a PA speaker, as it’s blocking his view. Dave agrees wholeheartedly that it was stupid of us to even consider putting a PA speaker at the front of the stage – and promises Dirtyarse he will get it moved.

8.42pm
Dave asks Neil to help him move the PA speaker. Neil tells him he would love to help, but he slipped a disc getting out of the shower this morning and it’s giving him a bit of jip.

8.43pm
I give Dave a hand lugging the speaker a few feet to the right, so as not to impede Dirtyarse’s view.

8.44pm
Something hairy, and of indeterminate gender comes over to Dave and tells him they can’t see the stage cos we’ve moved a speaker in front of him. Dave promises to shift it, and buggers off to the bar as soon as everyone’s back is turned.

9.00pm
We’re all in the 'dressing room', sweating like pigs and trying to chill out a bit before we’re due on stage. Graham is coating himself in some kind of Deep Heat lard complaining about his sciatica, whilst Neil and Deano are discussing which types of beer give them the worst diarrhoea. Neil is rat-a-tat-tatting on a bucket with two wooden spoons and I’m trying to find a space in the crowded dressing room that doesn’t smell like physiotherapy clinic or the bottom of a chip pan.

9.10pm
I do a last check of the stage to make sure everything is working and set up ok. Deano follows me out and stands frowning in front of his amp. A bloke comes up and asks him if he’s in the band. Deano cracks a smile and answers that yes, he is in fact a member of the band and thanks the person for coming up to speak to him. The bloke looks at Deano funny and says:

“Naw mate, I was going to ask if yer can shift yer van. It’s blocking the fire escape.”

9.20pm
Someone also asks me if I’m in the band and I make the mistake of saying yes. For the next 10 minutes I’m cornered by half a dozen burly bikers all requesting various songs from the AC/DC back catalogue. Some of them are songs we already play, but others are so obscure I doubt even AC/DC could remember them. Of course I manage to attract the obligatory nutter, asking for Iron Maiden and Metallica – who I point in Graham’s direction.

9.30pm
Showtime. The five of us burst onto the stage to a great round of applause. All stinking like Bimbi’s fish and chip restaurant and toilet duck. .

10.30pm
The gig is going really well, and apart from a few people slipping over in the puddle of beer left at the side of the stage - the crowd are loving it.

11.45pm
Gig finished and we’re all in the dressing room trying to get dried off and changed. The place still stinks of fish and chips, and we have to keep telling people who come in that it’s not actually us making the smell.  Although the pine scented toilet duck does smell better than Graham's Blue Stratos Aftershave.

Once again, another great gig at the Blacksmiths. Another reason it’s so great is cos I manage to get home before 2.00am.

Till next time…

 

 

 

 

 

Page 2

The Masons Arms / Not Guilty Bike Rally - Wear Valley

Saturday 11th August, 2007

4.30pm
I'm still in disbelief that we've agreed to play two gigs in one night. What a bunch of idiots.... and to cap it off I'm hobbling around due to a slight accident I had with my big toenail. ie. it came off.

5.30pm
I get lost. As per bloody usual. I'm only going to a pub that we've been rehearsing in for the last two months and still can't find it. I'm stuck behind an HGV which is chucking shite all over the windscreen of the car and my screen washers haven't got any water in them. I keep having to pull over into lay-by's  to tip cans of beer out me bag over the windscreen so I can see where I'm going. The air vents in the car stink of warm stella.

6.00pm
I stop at a garage to ask how the hell I get to Middlestone Moor and the bloke behind the counter just gives me a funny look. Apparently I'm about 5 miles past it and on the road to Stanhope. Any further and I'd be in the bloody lake district. Scribbling his directions on the back of a tab packet, I limp back to the car and turn around…

6.45pm
I finally arrive at the Masons Arms. Everyone else is already there going off the cars parked outside. Thankfully I'm dumping mine for the night so I can have a couple of pints. Or ten.

6.50pm
I get inside to be greeted by a hive of industry. Neil and Deano are heaving the heavy bits of PA gear around while Graham is scuttling around trying to get some sense out of the PA bloke - Dave. He's apparently turned up with a massive lighting rig and enough scaffold to prop up the Tyne Bridge. Not only that, but Chris has noticed three legs are missing from the 'stage area'. The 45 degree angle was a dead give away.

6.55pm
I'm just in time for a soundcheck. The P.A. bloke hands me a microphone that's seen better days with a long blue lead hanging out of it. I ask him if he's got a radio mic and he says yes, but I can't use it. Graham asks me if I've brought our radio mic. I have, but unfortunately Neil hasn't brought the power pack for it. It's in his house running the pump on his aquarium.

7.00pm
I spend the entire soundcheck hobbling around the stage trying not to trip over the mic lead.  The soundcheck goes quite well and after four takes of Back In Black I limp off backstage to sit down for half an hour.

7.05pm
Graham notices that at some point in the evening I'll end up banging my head off a giant mirrorball that is suspended above the stage, and orders it's removal. We all watch in amusement as Graham and Neil do a balancing act trying to unhook the mirrorball from the ceiling.

7.10pm
One of the crowd has brought along a camera  to film the gig, and is walking around pointing it at anyone he comes across. Not one to miss an opportunity, Neil bares his arse at the camera while Deano starts going "whhhooooooaa!!" and making devil horn signs with his hands. Rock and roll…..

7.40pm
Graham walks back in carrying a 12" deep pan mouth-watering ham and pineapple pizza. Complete with all the trimmings and two bags of crispy golden fries. Which he shares with Deano.

8.10pm
The bloke with the camcorder is making a right nuisance of himself. Neil disappears from sight every time the camera comes near him. I try to crack a few 'singer' jokes for the camera, but it's hard to keep a cheesy grin on your face when you feel like your big toe is being crushed in a vice.

8.15pm
The backstage area is resembling a meet and greet. Everyone is sidling through the curtains to speak to the band. Me and Neil are trying to look inconspicuous scavenging bits of pizza crusts and crumbs left by Graham and Deano.

8.45pm
I decide to get changed into my stage gear. I don't really fancy the idea of yanking on a pair of skin tight jeans pushing my nuts up into my stomach, but it has to be done. I put them on and collapse into a chair. It feels like someone has yanked my scrotum over my head, and I'm wondering how the hell I'm going to be able to stand on the stage for an hour and a half with a toe like an overdone shish kebab and the world's tightest black jeans sticking up my arse like a cheese cutter.

9.00pm
The atmosphere in the dressing room is getting hyper. Chris is doing his best George Clooney smile and Roger Moore eyebrows for the video camera - while Neil keeps making wookiee noises and sticking out his tongue. Chris is sitting trying to tune his bass with a 2 pence piece, as he's snapped off a machine head getting it out of the case. I'm sitting squirming in a chair trying to get comfortable in my tight jeans. I'm numb from my belly button down to my little toe.

9.30pm
Show starts. I run out onto the stage (well, more like stagger) but the mic lead gets tangled around the drums and I spend the first two songs trying to unravel it.

10.40pm
Someone in the audience notices that I'm making up the words to Problem Child. He's right - I am.

10.41pm
Graham asks me if I'm making up the words to Problem Child. I lie and tell him no, then start making up the last verse as I go along.

10.55pm
Halfway through Let There Be Rock and the bloody mic lead gets tangled around my legs. I nearly go head first into the audience. My plums scream in protest. I think that vasectomy wasn't called for after all....

11.00pm
The gig goes extremely well. The audience were really getting into it and it's always good to hear them start singing along. I come off stage soaked in sweat and walking like John Wayne. I've been hopping up and down off the stage for 90 minutes and can barely walk. Graham is sitting with towel over his head, steam rising off him like a Delonghi Dragon radiator while Chris and Deano get towelled off in the corner. Neil is jumping around going "wwhooooaaahh!!!" and still doing star wars impressions at the camcorder, making his devil horn signs. It must be something about drummers. They never stop moving from the time they get up till they go to bed.

PART TWO - THE BIKE RALLY

We'd been contacted by a bloke from a Bikers Club who had organised a bash up in the dales in. Co.Durham. Apparently their headlining band had dropped them in the shite at short notice and he wanted to know if we could play it (despite us already playing at the Masons the same night).

Typically though, we agreed to it, and as usual we didn’t have a clue what the gig was all about, and typically Graham hadn’t bothered to ask. All we knew was that we were supposed to be playing in a big Marquee in a field to a load of bikers.

11.20pm

Me and Graham are travelling up to the rally in Graham’s car, while Chris, Neil and Deano are following us up a bit later in the van with Dave the PA guy. After a few months of bickering about who has to drive to gigs -  we’ve all agreed to take turns. In theory, this is a good idea to save petrol, and wear and tear on our respective cars. In practice, it’s actually about preventing big, girly-hissy-sulky fits about who can have a drink and who can’t.

11.30pm

After trailing behind a tractor for most of the journey up into the arse-end of beyond, we arrive at the site and get ushered through a gate by a one-eyed biker, smoking something the size of a parsnip. We head down towards the main camp site and discover the road has been cordoned off with a barricade of old pallets, beer crates and some bales of hay.

11.31pm

Graham cautiously winds the window down and asks a group of bikers which is the way to the stage.

One of them points down a dirt track and tells us to turn left at the orange tent, straight ahead across the field towards the portaloos, then right at the three legged dog chained to the trike.

11.32pm

The car is lurching down the track, bouncing into potholes and through deep puddles. Chickens are squawking and flapping out of the way and Graham is grumbling about his big-end going, which makes a change from his bad back and gammy leg.

11.35pm

Graham winds the mud-splattered window down again and asks another group of bikers how we get to the main marquee. We can see it looming in the distance like a circus big top, but can’t seem to find our way through the sea of tents to get to it. The next directions we get are something like  “turn right at the black motorbike, then follow the sound of the generator.”

11.38pm

After fish-tailing it across a wet, muddy field for a few minutes past a hundred or so black motorbikes, we finally get parked up opposite the main Marquee. It’s a load bigger than what we expected.

The car at this point looks like it’s been driven through a slurry pit at the local sewage works.

11.40pm

We decide to leave the car slowly sinking into the mud, and have a wander around.

The minute we set foot outside the car it starts to rain.

11.41pm

It’s pissing it down and Graham’s mincing around dodging puddles looking like Wayne Sleep’s older brother, cos he’s wearing brand-new shiny-white trainers. He decides to get back into the car and sits grumbling about how he’s ‘only had the bastaads five fookin’ minutes’.

11.45pm

We’re hanging around outside the Marquee waiting for the van turning up. Graham’s wrapped two carrier bags around his feet, and he’s plodging around in the mud like some kind of poncy Big-Foot. Albeit, with less hair…and smaller feet.

Usually Dave the PA bloke is dead reliable and turns up quite early, but he’s rang to say that Deano’s had ‘one of his turns’ in the van and it’s taken him a while to clean the sick off the dashboard…

11.46pm

Graham suddenly spies a white transit hurtling across the field towards us and starts waving his arms at it and jumping up and down. The van’s approaching us across the field.

11.47pm

Graham is still waving his arms and shouting ‘ower here man Dave!’ and ‘Dave! Dave! Dave! Dave!’ like a littler version of Alan Partridge at the van. People all over the camp site and field are staring at him.

11.48pm

It’s not our van.

When it drives past us - the three lads in the front of it look out the window at Graham like he’s some kind of loon.

11.49pm

We decide to have a look inside the main marquee to check out the stage.

11.51pm

After plodging through wet grass and cow shite, we push through a raised flap in the back of the tent and end up stood directly in front of the main stage*

*Pallets nailed together to form a foot-high staging area about 15ft deep by 30ft across. Slightly sinking in the middle, with a hole at the back.

11.52pm

We carry a couple of Marshall cabs into the marquee and plonk them on the stage. It immediately starts to sink into the mud.

One of the organisers ‘Muckylugs’ or summat tells Graham not to worry if the gear sinks as they’ve got a tractor outside that can pull it out the mud. Graham’s face is a picture.

12.00am

We finally get the last of the gear inside and the stage is now at a funny angle. A bit like the Titanic just as it started to sink. Neil’s sat behind his drum hit frowning as his snare drum and cymbals keep sliding away from him. Graham starts to bounce up and down to see if ‘it’s safe’.

12.00am 30 secs

Graham’s right leg vanishes through a hole in the stage.

12.30am

We finally soundcheck and it doesn’t sound half bad. If we can get used to playing on a stage that’s moving about like a see-saw, we should be ok. Neil swallows four sea-sickness tablets and groans.

12.35am

No sign of Deano. Chris reckons he saw him vanishing into the sea of tents outside.

12.40am

The place is filling up with bikers and the air is thick with the sweet scent of herbal cigarettes. Me and Neil head off to the bar to grab a couple of pints before we go onstage. Graham is sitting in his car with the heating on full whack, drinking tea from a flask and swearing a lot about the weather. Chris is already at the bar grimacing at the beers on sale and saying he’d ‘rather drink turps’. If any of the bikers hear him, he might just get his wish….

12.45am

We kick off with Riff Raff and the place goes mental. People are climbing up the poles holding up the marquee and the stage is rocking backwards and forwards like an OAP in a gale force wind.

12.46am

The power cuts out. All the lights go out and the tent is in total darkness. Neil doesn’t notice and carries on playing.

12.47am

Power back on and we carry on with the set.

12.48am

Power off.

12.49am

Power back on.

12.50am

Power off.

12.51am

Power back on. Thankfully it stays on this time.

2.30am

Gig over and aside from the power cuts at the beginning, it went great. Bikers are a great crowd to play in front of as they really seem to get into live music. The stage has completely sank into the ground and Graham’s amp stack is teetering precariously over a muddy puddle. Chris looks like he’s been mud wrestling (although nowt surprises us about Chris) and Neil is clinging onto his snare drum for dear life. Apparently his drum stool sank in the first song and he’s been sitting on a beer crate ever since.

1.00am

All the gear loaded back into the van and it’s time to head off.

1.01am

The van is stuck in the mud.

1.02pm

Graham asks Neil to find Muckylugs and ask him if he can pull the van out the muck in his tractor.

1.10am

Neil finds Muckylugs – face down in a pile of empty beer cans with a suspicious brown stain on the back of his jeans. Looks like we’ll have to get out and push……

More tomfoolery and japecapery next time....

 

 

 

 

 

 

Page 3

Crook Football Club,

September 22nd 2007

4.30pm 
I arrive in Crook after three hours of gridlock and torrential rain on the M6 having drove up from a stag night in Cheshire the previous night -  following directions via mobile phone from Graham, who lives two minutes away and is sitting in the house watching german porn on DVD.

5.00pm
I finally find the venue, after asking directions from three
'locals' who looked like the patrons of the Slaughtered Lamb. They tell me to 'stay to the road and avoid the moors'.

5.31pm
Neil appears at the front door of the Football Club looking worried. Then again Neil always looks worried. He lies awake at night worrying and fretting about stuff that anyone else wouldn't give a second thought to. Like 'how much latex will it take to put Ann Summers out of business?', and 'where am I going to get two full size cannons from?' - that sort of thing.

5.35pm
Neil shows me to the concert room, it's a fair size. I spot Chris lurking about the stage plaguing one of the sound blokes about MHz and quasi-monfongulate sonic sub-bass frequencies. Or something. Neil asks him how many cats he's rescued from trees this week. Chris' reply isn't very nice, but it rhymes with 'shunt'.

5.45pm
Deano wanders into the hall and asks for a hand with his gear. All two tons of it. Chris asks if I know any good chiropractors. He must have an ingrowing toenail.

5.50pm
Neil collars Deano and asks him if the band can afford to purchase two original World War 1 style cannons complete with 'balls' that he's found on EBAY for fifty quid. He reckons they'd look great during 'For Those About To Rock'. Chris tells him we need to prioritise our spending and can't afford to buy unnecessary stage props like cannons, tacky flames and inflatable fat women. Deano breathes a sigh of relief.

5.51pm
Chris mentions buying a cast iron bell to suspend from the ceiling at gigs and a new van to carry it in. Deano breaks out in a cold sweat.

6.00pm
Chris is still following the sound man around asking him really complicated questions about radio transmitters and things us mere mortals don't understand.

6.30pm
I wander off into  Crook to find a burger shop. I'm bloody starving, and a grown man cannot live on a pepperami from the services on the M53.

6.45pm
After 15 minutes or so I find a takeaway called which is a bit like a burger shop, but sells authentic middle eastern food as well. Resisting the urge to have a Madras flavoured quarter pounder, I settle for a bag of chips. The middle eastern bloke behind the counter seems to have a bit of bother understanding me, so I end up pointing at the menu board whilst mouthing "C-H-I-P-S" very slowly.

6.50pm
I walk out carrying a spicy bean burger, three poppadoms and a tub of greek yoghurt.

7.00pm
Back at the Football Club, Graham is stalking about the stage making sure everything is being set up properly. Chris is unravelling a massive coil of leads and wires, trying not to tread on Deano who has his head buried in a pile of wires under the drum riser. Neil is whacking seven shades out of his snare drum, insisting that it needs 'tuning'.

7.15pm
Soundcheck. We launch into You Shook Me All Night Long, and half the pictures fall off the wall. The display cabinet in the corner is rattling and glasses from the bar are rolling around the floor. Graham tells the sound bloke to 'turn it up'.

7.19pm
Chris and Deano discuss the merits of ear plugs while me and Graham walk around shouting "WHAT?" every time someone speaks to us. Chris tries to talk to me, but I can't hear him. Someone must be making a loud ringing / whistling noise somewhere....

7.20pm
Soundcheck of Sin City. I ask the sound man to turn it up. Chris reaches for his ear muffs and a woolly hat. Deano brushes his hair over his ears. Graham shouts "Eh? WHAT?" then tells the soundman to turn it up again.

7.45pm
I go into the 'dressing room' to hang up my gear ready to change into. It's bloody freezing. Neil walks in and promptly walks back out clutching himself. I can see my breath and when I hang my shirt up to goes all stiff, a bit like corrugated cardboard.

8.00pm
Me and Graham are sitting in the dressing room huddled around a tab lighter to keep warm, when some bloke carrying a clipboard walks in. He tells us he's from the Performing Rights Society and asks for a quick word. Graham turns a funny shade of grey.

8.05pm
Graham still won't give any information to the PRS man, as he's got no ID on him. Graham's justification being that he won't even let the Gas man into his house unless he's shows some ID. The PRS man has his head in his hands.

8.10pm
A message is sent to Deano to get to the dressing room asap. Graham is stood, arms crossed like a squaddie refusing to give his name, rank and serial number.

8.13pm
Deano arrives and casually diffuses the situation. By asking the PRS bloke for some ID.

8.20pm
Finally - after showing Deano some official PRS letter headed paper, his driving license and pictures of his wife and kids - the PRS bloke gets some information. ....sort of. After asking questions about our repertoire and getting the same muttered answer - "AC/DC" - we can tell he's ready for handing in his notice. He says goodnight and leaves. Graham launches into a tirade about bogus doorstep callers robbing old ladies.

8.45pm
A great crowd has turned out for the gig. The PA is blasting out rock music to warm them up and the atmosphere is really starting to build.

9.00pm
Everything is up and running and we're ready to go on stage. We're in the sub zero dressing room shivering like mad, with nipples sticking out like bullets. Graham's legs are turning blue as he's the only one wearing shorts. We all wander out into the hall and take our places at the side of the stage, waiting for the intro CD to finish…..the crowd are going mad.

10.30pm

I decide to climb on top of one of the bass bins to get a sing a long going with the audience. I quickly abandon this idea after twatting my head off the low ceiling, nearly knocking out two teeth and seeing stars for the next twenty minutes. I can hear Neil pissing himself laughing behind me. I wonder if he finds me unscrewing his drum stool quite as funny....?

10.35pm

No. He didn't.

11.00pm
Show over and we're all absolutely knackered. The crowd were superb. In fact they were brilliant. Dancing and shouting from the start. It's what makes it all worthwhile.

1.30am
We finally get the cars loaded up, when Deano notices some cheeky local rabscallions have broke into his car and nicked his CD player but have left all the CD's. Can't think why.....

Deano spends the next hour trying to sellotape a crisp box to his broken window whilst everyone else has long since gone home.